{"id":9949,"date":"2015-10-21T21:00:07","date_gmt":"2015-10-21T19:00:07","guid":{"rendered":"http:\/\/cornandsoda.com\/?p=9949"},"modified":"2015-10-21T20:07:17","modified_gmt":"2015-10-21T18:07:17","slug":"a-lelemenyes-hugo-hugo-2011","status":"publish","type":"post","link":"http:\/\/cornandsoda.com\/wp\/a-lelemenyes-hugo-hugo-2011\/","title":{"rendered":"A lelem\u00e9nyes Hugo (Hugo, 2011)"},"content":{"rendered":"

„\u00dagy k\u00e9pzelem, hogy az eg\u00e9sz vil\u00e1g egyetlen, nagy g\u00e9pezet. A g\u00e9pekhez sosem adnak p\u00f3talkatr\u00e9szeket, pont annyi alkatr\u00e9sz van benn\u00fck, amennyi sz\u00fcks\u00e9ges. \u00dagy gondoltam, ha az eg\u00e9sz vil\u00e1g egyetlen, nagy g\u00e9pezet, \u00e9n sem lehetek p\u00f3talkatr\u00e9sz. Kell, hogy valami oka legyen annak, hogy itt vagyok.”<\/p>\n

Ez a filoz\u00f3fia A lelem\u00e9nyes Hugo<\/a> f\u0151h\u0151s\u00e9t\u0151l sz\u00e1rmazik, mely tal\u00e1n a t\u00f6rt\u00e9net minden egyes ir\u00e1nyults\u00e1g\u00e1t egyes\u00edti; a n\u00e9lk\u00fcl\u00f6zhetetlen mechanika saj\u00e1tos sz\u00e9ps\u00e9g\u00e9t \u00e9s atmoszf\u00e9r\u00e1j\u00e1t, az id\u0151 mibenl\u00e9t\u00e9t, az emberi amb\u00edci\u00f3kat, \u00e1lmokat, az ill\u00fazi\u00f3t \u00e9s ill\u00fazi\u00f3kelt\u00e9st – egysz\u00f3val mindent, amit Martin Scorsese<\/span> 2011-es alkot\u00e1s\u00e1ban l\u00e1ttatni akart. Mindezeket az 1920-30-as \u00e9vek P\u00e1rizs\u00e1nak kulissz\u00e1i k\u00f6z\u00f6tt, nem kev\u00e9s m\u0171v\u00e9szet-, zene- \u00e9s filmt\u00f6rt\u00e9neti utal\u00e1ssal, val\u00f3s \u00e9s kital\u00e1lt esem\u00e9nyek sor\u00e1b\u00f3l form\u00e1lt t\u00f6rt\u00e9nettel. A 2011-es \u00e9v \u00e9s Oscar-g\u00e1la\u00a0– sokak \u00f6r\u00f6m\u00e9re \u00e9s sokak nemtetsz\u00e9s\u00e9re – rendk\u00edv\u00fcl nosztalgikus hangulat\u00fa filmalkot\u00e1sok bemutat\u00e1s\u00e1val telt, gondoljunk csak Michel Hazanavicius<\/span> A n\u00e9mafilmes (The Artist)<\/em>\u00a0c\u00edm\u0171 alkot\u00e1s\u00e1ra, mely ugyan\u00fagy a filmt\u00f6rt\u00e9net gy\u00f6kereihez ny\u00falik vissza, mint A lelem\u00e9nyes Hugo<\/em>, \u00e1m a feldolgoz\u00e1s k\u00e9t teljesen elt\u00e9r\u0151 szemsz\u00f6gb\u0151l t\u00f6rt\u00e9nik. A d\u00edjes\u0151 mindenesetre mindk\u00e9t alkot\u00e1s eset\u00e9ben bor\u00edt\u00e9kolhat\u00f3 volt, a nagy k\u00e9rd\u00e9s csup\u00e1n az maradt, melyik\u00fck zsebelheti be a legjobb filmnek j\u00e1r\u00f3 d\u00edjat, melyet v\u00e9g\u00fcl A n\u00e9mafilmes<\/em> kapott. A lelem\u00e9nyes Hugo<\/em> tizenegy jel\u00f6l\u00e9s\u00e9b\u0151l \u00f6t\u00f6t v\u00e1ltott val\u00f3ra, \u00edgy Scorsese Hollywoodt\u00f3l is megkapta az elismer\u00e9st munk\u00e1ss\u00e1g\u00e9rt.<\/p>\n

\"A<\/a><\/p>\n

A t\u00f6rt\u00e9net f\u0151h\u0151se Hugo Cabret, akinek k\u00fcl\u00f6nleges \u00e9rz\u00e9ke van a mechanikus szerkezetekhez, tehets\u00e9g\u00e9t apj\u00e1t\u00f3l \u00f6r\u00f6k\u00f6lte, aki \u00f3r\u00e1sk\u00e9nt dolgozott, m\u00edgnem egy t\u0171zv\u00e9szben \u00e9let\u00e9t nem vesztette. Az el\u00e1rvult Hugot isz\u00e1kos nagyb\u00e1tyja veszi „gondoz\u00e1sa al\u00e1”; a p\u00e1lyaudvar \u00f3r\u00e1inak karbantart\u00e1sa teszi ezent\u00fal ki a fi\u00fa mindennapjait. Miut\u00e1n nagyb\u00e1tyj\u00e1nak nyoma v\u00e9sz, Hugo egyed\u00fcl v\u00e9gzi el a teend\u0151ket, vigy\u00e1zva, hogy az \u00e1rva gyerekekre ki\u00e9lezett \u00e1llom\u00e1s fel\u00fcgyel\u0151 \u00e9s kop\u00f3ja nehogy elkapja; minden alkalom, amikor \u00e9lelem\u00e9rt vagy alkatr\u00e9szek\u00e9rt az \u00e1llom\u00e1sra mer\u00e9szkedik, igencsak kalandosra siker\u00fcl. Mindek\u00f6zben szorgosan szerelgeti automata f\u00e9member\u00e9t, \u00fagy hiszi, apja utols\u00f3, neki sz\u00e1nt \u00fczenete rejt\u0151zik a g\u00e9pezetben. A p\u00e1lyaudvaron megismerkedik egy kisl\u00e1nnyal, akivel egy\u00fctt keresik a szerkezet rejt\u00e9ly\u00e9nek megold\u00e1s\u00e1t, a sz\u00e1lak pedig olyan helyeken futnak \u00f6ssze, amire egyik\u0151j\u00fck sem sz\u00e1m\u00edt, \u00e9s egy r\u00e9g\u00f3ta rejtegetett titokr\u00f3l lassank\u00e9nt lehull a lepel.<\/p>\n

Ez a titok pedig a h\u00edres n\u00e9mafilm-rendez\u0151, George M\u00e9li\u00e9s<\/span> szem\u00e9ly\u00e9t \u00e9s munk\u00e1ss\u00e1g\u00e1t rejti, aki k\u00f6r\u00e9 az eg\u00e9sz t\u00f6rt\u00e9net \u00e9p\u00fcl. Igaz, nem \u0151 a c\u00edmszerepl\u0151, viszont Hugo\u00a0„kutat\u00e1sa” r\u00e9v\u00e9n\u00a0sz\u00e9pen lassan kibontakozik alakja \u00e9s m\u0171v\u00e9szi munk\u00e1ss\u00e1ga. M\u00e9li\u00e9s minden j\u00e1t\u00e9kfilmek atyja, ha \u00fagy tetszik, a m\u0171faj egyik megteremt\u0151je. A b\u0171v\u00e9szb\u0151l lett filmrendez\u0151 \u00e9lete sor\u00e1n megk\u00f6zel\u00edt\u0151leg 500 (!) filmet k\u00e9sz\u00edtett, persze nem a mai 1-3 \u00f3r\u00e1s produkci\u00f3kra kell gondolni, hanem r\u00f6vid, nagyj\u00e1b\u00f3l 15 perces alkot\u00e1sokra, amiben a filmt\u00f6rt\u00e9net nagyja t\u00f6rt\u00e9neteket, kalandokat \u00e9s \u00e1lmokat mes\u00e9lt el, sohasem modorosan vagy er\u0151ltetetten; a kor technikai lehet\u0151s\u00e9geihez m\u00e9rten fantasztikus k\u00e9pi vil\u00e1got alkotott, melyben a t\u00e9r\u00e9rz\u00e9kel\u00e9s \u00e9s a\u00a0b\u0171v\u00e9sz m\u00faltb\u00f3l megmaradt ill\u00fazi\u00f3kelt\u00e9s\u00a0adta filmjei egyedi von\u00e1s\u00e1t. Ha filmt\u00f6rt\u00e9netr\u0151l besz\u00e9l\u00fcnk, akkor biztosan besz\u00e9ln\u00fcnk kell a Le voyage dans la Lune<\/em>, azaz az Utaz\u00e1s a Holdra<\/em> c\u00edm\u0171 14 perces alkot\u00e1sr\u00f3l, mely szint\u00e9n M\u00e9li\u00e9s remekm\u0171.<\/p>\n

\"\"<\/a>
Ben Kingsley \u00e9s Asa Butterfield<\/figcaption><\/figure>\n

M\u00e9li\u00e9s munk\u00e1ss\u00e1g\u00e1nak \u00e9s filmtekercsei sors\u00e1nak – miszerint\u00a0a legt\u00f6bb celluloid tekercsb\u0151l cip\u0151sarok k\u00e9sz\u00fclt – taglal\u00e1sa mellett sz\u00e1mos egy\u00e9b filmt\u00f6rt\u00e9neti vonatkoz\u00e1s is fellelhet\u0151\u00a0A lelelm\u00e9nyes Hugoban<\/em>. Scorsese felsorakoztatja a filmgy\u00e1rt\u00e1s\u00a0korai esem\u00e9nyeit, a Lumi\u00e9re fiv\u00e9rek els\u0151, A vonat \u00e9rkez\u00e9se<\/em> c\u00edm\u0171 filmj\u00e9t\u0151l kezdve Harold Lloyd legend\u00e1s \u00f3ramutat\u00f3s jelenet\u00e9n \u00e1t eg\u00e9szen M\u00e9li\u00e9s Holdra sz\u00e1ll\u00e1s\u00e1ig, \u00edgy tisztelegve a nagy el\u0151d\u00f6k el\u0151tt. Ak\u00e1r szentimentalizmussal is v\u00e1dolhatn\u00e1nk Scorseset a nosztalgikus \u00e9s kiss\u00e9 neg\u00e9des megeml\u00e9kez\u00e9s miatt, viszont azt is figyelembe kell venn\u00fcnk, hogy a film alapj\u00e1ul szolg\u00e1l\u00f3 k\u00f6nyv, Brian Selznick<\/span>: A lelem\u00e9nyes Hugo Cabret<\/em> ink\u00e1bb storyboard, mintsem klasszikus \u00e9rtelemben vett reg\u00e9ny, ami nagyban befoly\u00e1solta mind a k\u00e9pi vil\u00e1got, mind\u00a0a film hangulat\u00e1t.<\/p>\n

Ha pedig m\u00e1r a k\u00e9pi vil\u00e1gn\u00e1l tartunk, a meseszer\u0171en megkompon\u00e1lt kulissz\u00e1k m\u00e9g a fanyalg\u00f3k k\u00f6r\u00e9ben is elismer\u00e9st v\u00e1ltottak ki; Dante Ferretti \u00e9s Francesca Lo Sciavo m\u00e9lt\u00e1n vehette \u00e1t a legjobb d\u00edszlet\u00e9rt j\u00e1r\u00f3 aranyszobrocsk\u00e1t. B\u00e1r kiss\u00e9 elt\u00falozva ker\u00fclt bemutat\u00e1sra, m\u00e9gis pontosan felismerhet\u0151 a\u00a0Gare Montparnasse vas\u00fat\u00e1llom\u00e1s, ahol nemcsak a vonatra val\u00f3 fel- \u00e9s lesz\u00e1ll\u00e1s, hanem peszg\u0151 t\u00e1rsas\u00e1gi \u00e9let is zajlott, a szemf\u00fclesek – \u00e9s t\u00e1j\u00e9kozottak – pedig\u00a0azonos\u00edthatt\u00e1k az \u00e1llom\u00e1son j\u00e1tsz\u00f3 git\u00e1rost is: \u0151 Django Reinhardt<\/span> git\u00e1rm\u0171v\u00e9sz. Ha a felismer\u00e9s esetleg elmaradt, az val\u00f3sz\u00edn\u0171leg az utal\u00e1s „t\u00fal intelligens” mivolt\u00e1b\u00f3l fakadhat, amit Scorsese sz\u00e1mtalanszor alkalmaz. Hogy ezek t\u00f6bbs\u00e9g\u00e9t az egyszer\u0171 n\u00e9z\u0151 nem \u00e9rti, nem vesz el a film \u00e9lvezhet\u0151s\u00e9g\u00e9b\u0151l, csup\u00e1n az igazi film- \u00e9s zenet\u00f6rt\u00e9neti rajong\u00f3knak ad plussz egy elemet.<\/p>\n

\"A<\/a><\/p>\n

A film egy\u00e9bk\u00e9nt Martin Scorsese\u00a0tal\u00e1n els\u0151\u00a0olyan alkot\u00e1sa, mely nem kapott 18-as korhat\u00e1r jelz\u00e9st, a filmrendez\u0151 eddig legink\u00e1bb brut\u00e1lis \u00e9s er\u0151szakos alkot\u00e1saival v\u00e1lt n\u00e9pszer\u0171v\u00e9 \u00e9s lett korunk egyik legend\u00e1s rendez\u0151je. Olyan filmek ker\u00fcltek ki kezei k\u00f6z\u00fcl, mint a Nagymen\u0151k<\/em> vagy a Taxisof\u0151r<\/em>, mostans\u00e1g pedig el\u0151szeretettel dolgozik Leonardo DiCaprio<\/span>val; a 2013-as\u00a0A\u00a0Wall Street farkasa<\/em> m\u00e1r ism\u00e9t mag\u00e1n viseli azt a bizonyos 18-as karik\u00e1t. Scorsese mint \u00f6nt\u00f6rv\u00e9ny\u0171 filmm\u0171v\u00e9sz vonult be a filmt\u00f6rt\u00e9nelembe, \u00edgy A lelem\u00e9nyes Hugo<\/em> vegyes \u00e9rzelmeket v\u00e1ltott ki rajong\u00f3ib\u00f3l. Sokan \u00fagy v\u00e9lt\u00e9k, a rendez\u0151 mindent megtett annak \u00e9rdek\u00e9ben, hogy Oscar-d\u00edjat kaphasson, ezzel fel\u00e1ldozva hitvall\u00e1s\u00e1t \u00e9s elnyomva igazi st\u00edlus\u00e1t. A st\u00edlus val\u00f3ban szokatlan t\u0151le, viszont a filmel\u0151d\u00f6k el\u0151tti tisztelg\u00e9s eme form\u00e1ja nem ad k\u00fcl\u00f6n\u00f6sebb okot felh\u00e1borod\u00e1sra. A szereposzt\u00e1st tekintve sem lehet nagyobb el\u00e9gedetlenked\u00e9snek hangot adni; Ben Kingsley<\/span> remek\u00fcl alak\u00edtja a legend\u00e1s M\u00e9li\u00e9st \u00e9s\u00a0Asa Butterfield<\/span> j\u00e1t\u00e9ka is hiteles, r\u00e1ad\u00e1sul a felt\u00f6rekv\u0151 fiatal Asa ebben a produkci\u00f3ban igaz\u00e1n megmutatta, helye van Hollywoodban \u00e9s \u00e9rdemes lesz odafigyelni r\u00e1 a j\u00f6v\u0151ben is.\u00a0 Ugyan\u00edgy er\u0151s\u00edtette hely\u00e9t a filmszakm\u00e1ban Chloe Grace Moretz<\/span> is, aki az \u00edr\u00f3i bab\u00e9rokra t\u00f6r\u0151, k\u00f6nyvmoly \u00a0Isabell alakj\u00e1t form\u00e1lta meg. Sacha Baron Cohen<\/span>, mint \u00e1llom\u00e1sf\u0151n\u00f6k adja meg a komikus – \u00e9s egyben tragikus – sz\u00e1lat is a filmben; \u00fcgyetlenked\u00e9sei, f\u00e9lszeg modora a kedves vir\u00e1g\u00e1russal szemben mind mind h\u00e1bor\u00fas s\u00e9r\u00fcl\u00e9s\u00e9b\u0151l ered. N\u00e9h\u00e1ny pillanatra felt\u0171nik Jude Law<\/span> \u00e9s Emily Mortimer<\/span> is – \u00f6sszess\u00e9g\u00e9ben Scorsese kit\u0171n\u0151 sz\u00edn\u00e9szeket v\u00e1logatott \u00f6ssze kedves kis t\u00f6rt\u00e9net\u00e9hez.<\/p>\n

\"A<\/a>
Jelenet a filmb\u0151l<\/figcaption><\/figure>\n

Igen, A lelem\u00e9nyes Hugo<\/em> egy kedves kis csal\u00e1di mozi, nem is akar enn\u00e9l sem t\u00f6bb, sem kevesebb lenni. A filmt\u00f6rt\u00e9neti mustra azok sz\u00e1m\u00e1ra, akik nem j\u00e1rtasak benne, \u00faj inform\u00e1ci\u00f3kkal szolg\u00e1lhat, a bonyolultabb, specifikus tartalmak felett ezen n\u00e9z\u0151k elsiklanak, a j\u00e1rtasabbak pedig felkapj\u00e1k a fej\u00fcket. A film nagy er\u0151ss\u00e9ge a l\u00e1tv\u00e1ny, a vizu\u00e1lis effektek\u00a0\u00e9s a f\u00fclbem\u00e1sz\u00f3 zene; sok kritikus \u00e9rcel\u0151d\u00f6tt is rajta, hogy a t\u00f6rt\u00e9net laposs\u00e1g\u00e1t ezek az elemek ellens\u00falyozz\u00e1k. Az esem\u00e9nyek\u00a0– ez t\u00e9ny – val\u00f3ban nem eszeveszett temp\u00f3ban k\u00f6vetik egym\u00e1st \u00e9s a p\u00e1rhuzamos sz\u00e1lak is csak nagy nehezen teljesednek ki. Mindazon\u00e1ltal ha egy kicsit t\u00fczetesebben megvizsg\u00e1ljuk a taglalt t\u00f6rt\u00e9neti kort, ez a temp\u00f3 abszol\u00fat elfogadhat\u00f3, s\u0151t, ha a filmbeli p\u00e1rhuzamot vessz\u00fck alapul, \u00e9s a g\u00e9pezetek m\u0171k\u00f6d\u00e9s\u00e9hez m\u00e9rj\u00fck mag\u00e1t az alkot\u00e1st, Scorsese rendez\u00e9s\u00e9nek ez a sarkalatos pontja ak\u00e1r tudatosnak is tekinthet\u0151. Ahogy a szerkezetek apr\u00f3 alkatr\u00e9szei kapcsol\u00f3dnak egym\u00e1shoz, \u00e9s m\u0171k\u00f6dtetik a „nagy eg\u00e9szt”, \u00fagy halad el\u0151re a t\u00f6rt\u00e9net is: sz\u00e9pen, lassan, minden par\u00e1nyi r\u00e9szletre is nagy hangs\u00faly ker\u00fcl, hiszen ha valamelyik „nincs a hely\u00e9n”, a szerkezet m\u00e1ris \u00f6sszeomlik.<\/p>\n

\"A<\/a><\/p>\n

V\u00e9lem\u00e9nyem szerint A lelem\u00e9nyes Hugo<\/em> k\u00e9tf\u00e9le r\u00e9tegnek nyerheti el legink\u00e1bb a tetsz\u00e9s\u00e9t. Az egyik a m\u0171v\u00e9szet- \u00e9s filmt\u00f6rt\u00e9net rajong\u00f3i, akik k\u00f6nnyen \u00e1tsiklanak\u00a0 a kiss\u00e9 t\u00fal romantikus bemutat\u00e1son, Hugo szem\u00e9ly\u00e9ben megtal\u00e1lj\u00e1k a szerethet\u0151 f\u0151h\u0151st \u00e9s a vontatott temp\u00f3 sem zavarja \u0151ket. A m\u00e1sik r\u00e9teg a csal\u00e1dosok r\u00e9tege, azon feln\u0151ttek\u00e9, akik szeretnek a gyerekekkel egy\u00fctt mozizni,\u00a0ezt az alkot\u00e1st\u00a0ugyanis egyar\u00e1nt \u00e9lvezhetik a fiatalabb \u00e9s az id\u0151sebb koroszt\u00e1ly tagjai is. A magam r\u00e9sz\u00e9r\u0151l – mint az els\u0151 r\u00e9teg tagja – szerethet\u0151 produkci\u00f3nak tartom Hugo t\u00f6rt\u00e9net\u00e9t, a kisebb-nagyobb hib\u00e1k ellen\u00e9re is. A boldog b\u00e9keid\u0151k mes\u00e9je ez, amikor a n\u00e9z\u0151k m\u00e9g felsikoltottak a „fel\u00e9j\u00fck \u00e9rkez\u0151 vonat” l\u00e1tv\u00e1ny\u00e1t\u00f3l \u00e9s amikor ha p\u00e9nz nem is, \u00e1lmokb\u00f3l tem\u00e9rdek volt. Az alkot\u00e1s „fogyaszt\u00e1s\u00e1hoz” pedig mindenk\u00e9pp friss croissant – sz\u00e1raz jeges g\u0151z\u00f6lg\u00e9s n\u00e9lk\u00fcl – \u00e9s forr\u00f3 k\u00e1v\u00e9t javaslok!<\/p>\n

\u00c9rt\u00e9kel\u00e9s: 78\/100<\/p>\n

IMDB: 7,6<\/p>\n

Mafab: 74%<\/p>\n

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„\u00dagy k\u00e9pzelem, hogy az eg\u00e9sz vil\u00e1g egyetlen, nagy g\u00e9pezet. A g\u00e9pekhez sosem adnak p\u00f3talkatr\u00e9szeket, pont annyi alkatr\u00e9sz van<\/p>\n","protected":false},"author":79,"featured_media":9950,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1422],"tags":[3224,2058,2059,3226,3225,1093,1475,3227],"class_list":["post-9949","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-oscar","tag-a-lelemenyes-hugo","tag-asa-butterfield","tag-ben-kingsley","tag-filmtortenet","tag-george-melies","tag-martin-scorsese","tag-oscar","tag-parizs"],"yoast_head":"\nA lelem\u00e9nyes Hugo (Hugo, 2011)<\/title>\n<meta name=\"description\" content=\""\u00dagy gondoltam, ha az eg\u00e9sz vil\u00e1g egyetlen, nagy g\u00e9pezet, \u00e9n sem lehetek p\u00f3talkatr\u00e9sz. 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