{"id":23728,"date":"2017-06-19T10:00:41","date_gmt":"2017-06-19T08:00:41","guid":{"rendered":"http:\/\/cornandsoda.com\/?p=23728"},"modified":"2017-06-19T09:41:51","modified_gmt":"2017-06-19T07:41:51","slug":"totok-dzsentrik-es-retromadarak-poszt-kritikak","status":"publish","type":"post","link":"https:\/\/cornandsoda.com\/wp\/totok-dzsentrik-es-retromadarak-poszt-kritikak\/","title":{"rendered":"T\u00f3tok, dzsentrik \u00e9s retromadarak – POSZT kritik\u00e1k"},"content":{"rendered":"
\"POSZT\"<\/a>
Retromad\u00e1r blokknak csap\u00f3dik \u00e9s forr\u00f3 aszfaltra zuhan (Marosv\u00e1s\u00e1rhelyi Nemzeti Sz\u00ednh\u00e1z, Tompa Mikl\u00f3s T\u00e1rsulat). Fot\u00f3: Rab Zolt\u00e1n. Forr\u00e1s: POSZT<\/figcaption><\/figure>\n

Az idei POSZT versenyprogramj\u00e1nak egy jelent\u0151s r\u00e9sze a t\u00f6rt\u00e9nelmi m\u00falt dr\u00e1mai esem\u00e9nyeivel \u00e9s traum\u00e1ival igyekszik sz\u00e1mot vetni.<\/p>\n

Mezei Kinga Z\u00e1vada P\u00e1l \u00e9ppen k\u00e9t \u00e9vtizeddel ezel\u0151tt, 1997-ben megjelent nagy siker\u0171 reg\u00e9ny\u00e9t, a Jadviga p\u00e1rn\u00e1j\u00e1<\/em>t vitte sz\u00ednre a debreceni Csokonai Nemzeti Sz\u00ednh\u00e1zban. A rendez\u0151t els\u0151sorban az \u00e9rdekelte, mik\u00e9nt lehetne sz\u00ednpadra adapt\u00e1lni a reg\u00e9ny \u00f6sszetett narr\u00e1ci\u00f3j\u00e1t, \u00e9ppen ez\u00e9rt nem a Z\u00e1vada \u00e1ltal kor\u00e1bban m\u00e1r sz\u00ednpadra \u00fcltetett \u00e1tiratot haszn\u00e1lta \u2013 melyet 2012-ben mutattak be \u2013, hanem G\u00f3li Korn\u00e9li\u00e1val egy eg\u00e9szen \u00faj sz\u00ednpadi adapt\u00e1ci\u00f3t k\u00e9sz\u00edttetett. Az el\u0151ad\u00e1snak siker\u00fcl is meg\u0151riznie a reg\u00e9ny h\u00e1rom hangra \u00e9p\u00fcl\u0151 strukt\u00far\u00e1j\u00e1t: Ondris, Jadviga \u00e9s Misu egyszerre szerepl\u0151i \u00e9s elbesz\u00e9l\u0151i is a t\u00f6rt\u00e9netnek, s ez fantasztikusan m\u0171k\u00f6dik Mezei Kinga rendez\u00e9s\u00e9ben. Ondraschek P\u00e9ter forg\u00f3sz\u00ednpada eg\u00e9szen leny\u0171g\u00f6z\u0151, hasonl\u00f3k\u00e9pp a sz\u00edn\u00e9szi alak\u00edt\u00e1sok, m\u00e9gis, halv\u00e1ny hi\u00e1ny\u00e9rzete maradhat a n\u00e9z\u0151nek.<\/p>\n

\"POSZT\"<\/a>
S\u00e1rk\u00f6zi-Nagy Ilona \u00e9s Kiss Gergely M\u00e1t\u00e9 (Jadviga p\u00e1rn\u00e1ja, Csokonai Nemzeti Sz\u00ednh\u00e1z, Debrecen). Forr\u00e1s: POSZT<\/figcaption><\/figure>\n

N\u00e1nay Istv\u00e1n a szakmai besz\u00e9lget\u00e9sen \u00fagy fogalmazott, hogy nem sz\u00fcletik meg a dr\u00e1ma, s ez \u00f6sszef\u00fcgg\u00e9sben lehet azzal, hogy az alkot\u00f3k t\u00fals\u00e1gosan is tiszteletben tartott\u00e1k a reg\u00e9nyt, annak meglehet\u0151sen sz\u00f6vev\u00e9nyes t\u00f6rt\u00e9net\u00e9t, s a lehet\u0151 legt\u00f6bbet igyekeztek ebb\u0151l \u00e1tmenteni a sz\u00ednpadra; csakhogy ami j\u00f3l m\u0171k\u00f6dik a reg\u00e9nyben, az \u00f6sszetett epikus szerkezet, az okozhat neh\u00e9zs\u00e9geket a sz\u00ednpadon. S val\u00f3ban, a saj\u00e1t \u00e9lm\u00e9nyem valami hasonl\u00f3 volt: mik\u00f6zben itt szem\u00e9lyes \u00e9s k\u00f6z\u00f6ss\u00e9gi trag\u00e9di\u00e1k k\u00f6vetik egym\u00e1st (Ondris\u00e9, Jadvig\u00e1\u00e9, Trianon), a t\u00f6rt\u00e9nelem \u00e9s az egyes \u00e9lett\u00f6rt\u00e9netek meglehet\u0151sen szenvtelen\u00fcl folynak \u2013 Jadviga meger\u0151szakol\u00e1sa a k\u00f6lt\u0151i \u00e1br\u00e1zol\u00e1snak k\u00f6sz\u00f6nhet\u0151en ugyanolyan belet\u00f6r\u0151d\u00e9ssel \u00e9s megad\u00e1ssal v\u00e9tetik tudom\u00e1sul az el\u0151ad\u00e1s elej\u00e9n, mint amilyen k\u00f6nnyed\u00e9n l\u00e9p\u00fcnk tov\u00e1bb k\u00e9s\u0151bb Trianonon.<\/p>\n

\"POSZT\"<\/a>
S\u00e1rk\u00f6zi-Nagy Ilona, Kiss Gergely M\u00e1t\u00e9 \u00e9s Gall\u00f3 Ern\u0151 (Jadviga p\u00e1rn\u00e1ja, Csokonai Nemzeti Sz\u00ednh\u00e1z, Debrecen). Forr\u00e1s: POSZT<\/figcaption><\/figure>\n

A Miskolci Nemzeti Sz\u00ednh\u00e1z el\u0151ad\u00e1sa, a Kivil\u00e1gos kivirradtig<\/em> a sz\u00e1zadfordul\u00f3 dzsentri-vil\u00e1g\u00e1t t\u00e1rja fel, s sok szempontb\u00f3l k\u00edn\u00e1lkozik a debreceniek\u00e9vel val\u00f3 \u00f6sszehasonl\u00edt\u00e1sra. Alapvet\u0151en mindk\u00e9t el\u0151ad\u00e1s ugyanarra v\u00e1llalkozik: az alapj\u00e1ul szolg\u00e1l\u00f3 reg\u00e9ny vil\u00e1g\u00e1nak sz\u00ednpadra adapt\u00e1l\u00e1s\u00e1ra; ugyanakkor mindkett\u0151 igyekszik t\u00fal is l\u00e9pni azon, hogy puszt\u00e1n csak a t\u00f6rt\u00e9netet sz\u00ednrevitele maradjon: Mezei Kinga a narr\u00e1ci\u00f3 sz\u00ednpadra alkalmaz\u00e1s\u00e1val, Ruszny\u00e1k G\u00e1bor pedig a t\u00f6rt\u00e9net vil\u00e1g\u00e1nak id\u0151beli kit\u00e1g\u00edt\u00e1s\u00e1val. Mindkett\u0151 forg\u00f3sz\u00ednpadot alkalmaz, mely mindk\u00e9t esetben az adott vil\u00e1g \u2013 a dzsentri-vil\u00e1g, illetve a szlov\u00e1kiai paraszti, gazda- \u00e9s kispolg\u00e1ri vil\u00e1g \u2013 sebezhet\u0151s\u00e9g\u00e9nek, kiszolg\u00e1ltatotts\u00e1g\u00e1nak \u00e9s labilit\u00e1s\u00e1nak a k\u00e9pzet\u00e9hez j\u00e1rul hozz\u00e1; Khell Zsolt d\u00edszlete nem mellesleg ugyanolyan mag\u00e1val ragad\u00f3, mint a debreceniek\u00e9. Mindk\u00e9t el\u0151ad\u00e1sban er\u0151s sz\u00edn\u00e9szi alak\u00edt\u00e1sokkal tal\u00e1lkozunk.<\/p>\n

\"POSZT\"<\/a>
G\u00e1sp\u00e1r Tibor \u00e9s Czak\u00f3 Julianna (Kivil\u00e1gos kivirradtig, Miskolci Nemzeti Sz\u00ednh\u00e1z). Forr\u00e1s: POSZT<\/figcaption><\/figure>\n

Ruszny\u00e1k G\u00e1bor a m\u00e1sodik felvon\u00e1sban lassan, fokozatosan, alig \u00e9szrevehet\u0151en \u00e1t\u00f6lt\u00f6zteti szerepl\u0151it: a felvon\u00e1s kezdet\u00e9t\u0151l fogva hol az egyik, hol a m\u00e1sik szerepl\u0151 jelenik meg mai \u00f6lt\u00f6zetben, s tal\u00e1n 40-50 perc is eltelik, mire minden szerepl\u0151 mai ruh\u00e1zatban \u00e1ll el\u0151tt\u00fcnk. Ruszny\u00e1k \u00f6tlete \u2013 mely k\u00e9ts\u00e9gk\u00edv\u00fcl arra ir\u00e1nyul, hogy r\u00e1mutasson, hogy a sz\u00e1zadfordul\u00f3, illetve a h\u00faszas \u00e9vek ked\u00e9lyesen (vagy \u00e9ppen ked\u00e9lytelen\u00fcl) zsid\u00f3z\u00f3, antiszemita l\u00e9gk\u00f6re ma sem m\u00falt el \u00e9s tov\u00e1bbra is jelen van \u2013 remek, ugyanakkor nemigen m\u0171k\u00f6dik. A falak, a b\u00fatorok, a szerepl\u0151k k\u00f6zti viszonyok, a megsz\u00f3lal\u00e1sok \u00e9s az egym\u00e1s k\u00f6z\u00f6tti besz\u00e9dm\u00f3dok tov\u00e1bbra is a sz\u00e1zadfordul\u00f3\/sz\u00e1zadel\u0151 atmoszf\u00e9r\u00e1j\u00e1t ontj\u00e1k magukb\u00f3l. Aradi\u00e9k meg\u00e9rkez\u00e9sekor m\u00e1r majd mindenki mai \u00f6lt\u00f6zetben fesz\u00edt, mik\u00f6zben \u0151k arr\u00f3l besz\u00e9lnek, hogy a lovak belebor\u00edtott\u00e1k a sz\u00e1nt a nagy \u00e1rokba \u2013 a sz\u00e1zadel\u0151 idej\u00e9t\u0151l, atmoszf\u00e9r\u00e1j\u00e1t\u00f3l az el\u0151ad\u00e1s \u00edgy nemigen tud elszakadni.<\/p>\n

Radu Afrim Retromad\u00e1r blokknak csap\u00f3dik \u00e9s forr\u00f3 aszfaltra zuhan<\/em> c\u00edm\u0171 darabja a Marosv\u00e1s\u00e1rhelyi Nemzeti Sz\u00ednh\u00e1z Tompa Mikl\u00f3s T\u00e1rsulat\u00e1nak az el\u0151ad\u00e1s\u00e1ban m\u00e1r a hetvenes \u00e9vek Rom\u00e1ni\u00e1j\u00e1ban j\u00e1tsz\u00f3dik, s egy panelh\u00e1z h\u00e9tk\u00f6znapjaiba enged betekint\u00e9st. Irina Moscu d\u00edszlete szint\u00e9n lebilincsel\u0151: a sz\u00ednpad ter\u00e9t egy k\u00e9temeletes panelh\u00e1z t\u00f6lti be, s az esem\u00e9nyek nemcsak ennek el\u0151ter\u00e9ben, hanem emeleti ablakaiban \u00e9s erk\u00e9lyein is zajlanak. Szigor\u00fa \u00e9rtelemben vett t\u00f6rt\u00e9nete nincs az el\u0151ad\u00e1snak, ink\u00e1bb csak egym\u00e1st\u00f3l t\u00f6bb\u00e9-kev\u00e9sb\u00e9 f\u00fcggetlen esem\u00e9nyek k\u00f6vetik egym\u00e1st, melyek legfeljebb t\u00f6rt\u00e9netkezdem\u00e9nyeknek tekinthet\u0151k. Rendk\u00edv\u00fcl \u00e9rdekes az el\u0151ad\u00e1s dramaturgi\u00e1ja: az \u00e9l\u00e9nkebb, temp\u00f3sabb \u00e9s hars\u00e1nyabb humor\u00fa els\u0151 felvon\u00e1st egy j\u00f3val lass\u00fabb foly\u00e1s\u00fa, hosszan elny\u00fajtott \u00e9s rendk\u00edv\u00fcl \u00e9rzelmes m\u00e1sodik felvon\u00e1s k\u00f6veti, mely r\u00e1ad\u00e1sul t\u00f6bb ponton is a v\u00e9g\u00e9t sejteti, majd m\u00e9gis folyik tov\u00e1bb; ez szokatlanul izgalmas, \u00e1m legal\u00e1bb ugyanennyire kock\u00e1zatos is, legal\u00e1bbis a POSZT k\u00f6z\u00f6ns\u00e9g\u00e9nek t\u00fcrelm\u00e9t \u00e9rz\u00e9kelhet\u0151en pr\u00f3b\u00e1ra tette.<\/p>\n

\"POSZT\"<\/a>
Retromad\u00e1r blokknak csap\u00f3dik \u00e9s forr\u00f3 aszfaltra zuhan (Marosv\u00e1s\u00e1rhelyi Nemzeti Sz\u00ednh\u00e1z, Tompa Mikl\u00f3s T\u00e1rsulat). Fot\u00f3: Rab Zolt\u00e1n. Forr\u00e1s: POSZT<\/figcaption><\/figure>\n

A Retromad\u00e1r<\/em> k\u00e9t szempontb\u00f3l figyelemre m\u00e9lt\u00f3 a t\u00f6rt\u00e9nelem\u00e1br\u00e1zol\u00e1s\u00e1t tekintve, s mindk\u00e9t \u2013 egym\u00e1st\u00f3l egy\u00e9bk\u00e9nt nem f\u00fcggetlen \u2013 szempont el\u0151 is ker\u00fclt a szakmai besz\u00e9lget\u00e9s sor\u00e1n: az el\u0151ad\u00e1s egyr\u00e9szt rendk\u00edv\u00fcl humorosan \u00e9s \u00e9rzelmesen \u2013 helyenk\u00e9nt m\u00e1r-m\u00e1r szentiment\u00e1lisan \u2013 \u00e1br\u00e1zolja a hetvenes \u00e9vekbeli ceau\u0219escui Rom\u00e1ni\u00e1t, mely meglehet\u0151sen idegen a magyar hagyom\u00e1nyt\u00f3l, mely szinte kiz\u00e1r\u00f3lag csak dr\u00e1maian \u00e9s tragikusan tudja szeml\u00e9lni \u00e9s tudom\u00e1sul venni a t\u00f6rt\u00e9nelmi m\u00faltat. M\u00e1sr\u00e9szt tot\u00e1lisan hi\u00e1nyoznak az el\u0151ad\u00e1sb\u00f3l a diktat\u00fara mozzanatai: a megfigyel\u00e9sek, a bes\u00fag\u00e1sok, a megf\u00e9leml\u00edt\u00e9sek, az elhurcol\u00e1sok stb.<\/p>\n

\"POSZT\"<\/a>
Retromad\u00e1r blokknak csap\u00f3dik \u00e9s forr\u00f3 aszfaltra zuhan (Marosv\u00e1s\u00e1rhelyi Nemzeti Sz\u00ednh\u00e1z, Tompa Mikl\u00f3s T\u00e1rsulat). Fot\u00f3: Rab Zolt\u00e1n. Forr\u00e1s: POSZT<\/figcaption><\/figure>\n

S v\u00e9g\u00fcl a Radn\u00f3ti Sz\u00ednh\u00e1z el\u0151ad\u00e1sa, a Fut\u00f3t\u0171z<\/em> ugyancsak a m\u00faltba kalauzol vissza, j\u00f3llehet ez m\u00e1r az eg\u00e9szen k\u00f6zeli m\u00falt, \u00e9s nem is a magyar t\u00f6rt\u00e9nelemhez k\u00f6thet\u0151. Wajdi Mouawad libanoni sz\u00e1rmaz\u00e1s\u00fa kanadai szerz\u0151 2003-ban megjelent \u00e9s bemutatott dr\u00e1m\u00e1ja hihetetlen\u00fcl izgalmas, \u00f6sszetett \u00e9s er\u0151s anyag. A t\u00f6rt\u00e9net kiindul\u00f3pontj\u00e1n egy anya azt a feladatot hagyja gyermekeire a v\u00e9grendelet\u00e9ben, hogy keress\u00e9k meg halottnak hitt apjukat \u00e9s b\u00e1tyjukat. A t\u00f6rt\u00e9net teh\u00e1t egy nyomoz\u00e1s t\u00f6rt\u00e9nete, melynek sor\u00e1n felt\u00e1rul az anya m\u00faltja. A m\u0171 dramaturgi\u00e1ja rendk\u00edv\u00fcl \u00f6sszetett, er\u0151sen mozaikos, ide-oda ugr\u00e1l az id\u0151ben, \u00e9vtizedeken \u00e1t, s b\u00e1r er\u0151sen dr\u00e1mai anyagr\u00f3l van sz\u00f3, sz\u00e9ttart\u00f3 sz\u00e1lai komoly kih\u00edv\u00e1st jelentenek a sz\u00ednpad sz\u00e1m\u00e1ra.<\/p>\n

\"POSZT\"<\/a>
Kov\u00e1ts Ad\u00e9l \u00e9s Ruszn\u00e1k Andr\u00e1s (Fut\u00f3t\u0171z, Radn\u00f3ti Sz\u00ednh\u00e1z, Budapest). Forr\u00e1s: POSZT<\/figcaption><\/figure>\n

Alf\u00f6ldi R\u00f3bert rendez\u00e9se arra t\u00f6rekszik, hogy hagyja \u00e9rv\u00e9nyes\u00fclni a sz\u00f6veget, s ez alapvet\u0151en j\u00f3 d\u00f6nt\u00e9s. Menczel R\u00f3bert d\u00edszlete egyszer\u0171; b\u00e1r ez a sz\u00f6veg egy m\u00e9g \u00fcresebb, m\u00e9g ink\u00e1bb lecsupasz\u00edtott t\u00e9rben tal\u00e1n j\u00f3val er\u0151sebben hatna, k\u00fcl\u00f6n\u00f6sen, hogy a d\u00edszlet \u2013 amellett, hogy sokf\u00e9lek\u00e9ppen asszoci\u00e1lhat\u00f3 \u2013 kev\u00e9sb\u00e9 kihaszn\u00e1lt a jelenetek sor\u00e1n. Tal\u00e1n egy er\u0151sebb dramaturgiai h\u00faz\u00e1s is r\u00e1f\u00e9rt volna a sz\u00f6vegre, b\u00e1r ez szint\u00e9n neh\u00e9z k\u00e9rd\u00e9s: a t\u00f6rt\u00e9net \u00f6sszerak\u00e1s\u00e1t tekintve egyes jeleneteknek \u2013 k\u00fcl\u00f6n\u00f6sen az els\u0151 felvon\u00e1sban \u2013 nincs dramaturgiai funkci\u00f3ja, ugyanakkor a darab mot\u00edvumait tekintve ezek sem elhanyagolhat\u00f3k. Hogy az el\u0151ad\u00e1s v\u00e9g\u00fcl element\u00e1ris hat\u00e1ssal b\u00edr, abban nagy szerepe van a d\u00f6bbenetesen er\u0151s sz\u00edn\u00e9szi alak\u00edt\u00e1soknak, f\u0151k\u00e9nt Kov\u00e1ts Ad\u00e9lnak a f\u0151szerepben.<\/p>\n","protected":false},"excerpt":{"rendered":"

Az idei POSZT versenyprogramj\u00e1nak egy jelent\u0151s r\u00e9sze a t\u00f6rt\u00e9nelmi m\u00falt dr\u00e1mai esem\u00e9nyeivel \u00e9s traum\u00e1ival igyekszik sz\u00e1mot vetni. Mezei<\/p>\n","protected":false},"author":3549,"featured_media":23734,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[29,14],"tags":[2184,7296,7297],"class_list":["post-23728","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kritikak","category-szinhaz","tag-poszt","tag-poszt-2017","tag-poszt-versenyprogram"],"yoast_head":"\nT\u00f3tok, dzsentrik \u00e9s retromadarak - POSZT kritik\u00e1k<\/title>\n<meta name=\"description\" content=\"A t\u00f6rt\u00e9nelem viharos \u00e9vtizedei \u00e9s traum\u00e1i a POSZT versenyel\u0151ad\u00e1sainak t\u00fckr\u00e9ben.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/cornandsoda.com\/wp\/totok-dzsentrik-es-retromadarak-poszt-kritikak\/\" \/>\n<meta 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