{"id":2401,"date":"2014-12-16T18:30:57","date_gmt":"2014-12-16T17:30:57","guid":{"rendered":"http:\/\/cornandsoda.com\/?p=2401"},"modified":"2015-05-27T22:24:39","modified_gmt":"2015-05-27T20:24:39","slug":"exodus-duplakritika","status":"publish","type":"post","link":"https:\/\/cornandsoda.com\/wp\/exodus-duplakritika\/","title":{"rendered":"Exodus: Istenek \u00e9s kir\u00e1lyok (Exodus: Gods and Kings, 2014) – duplakritika"},"content":{"rendered":"

\"Exodus_800x1154_3\"<\/a>
\n<\/a>Hagyom\u00e1nyteremt\u0151 alrovatot ind\u00edtunk \u00fatnak: ezent\u00fal k\u00e9t szerz\u0151nk kritik\u00e1j\u00e1t is olvashatj\u00e1tok az igaz\u00e1n nagy volumen\u0171 filmek kapcs\u00e1n. Mi m\u00e1ssal is kezdhett\u00fcnk volna, mint az idei mozis \u00e9vad v\u00e9g\u00e9re id\u0151z\u00edtett, Ridley Scott \u00e1ltal jegyzet grandi\u00f3zus bibliai t\u00e9m\u00e1j\u00fa alkot\u00e1ssal.<\/p>\n

Blackphoenix:<\/em><\/p>\n

Az Exodus<\/a><\/strong><\/span><\/em> t\u00f6rt\u00e9nete cs\u00fct\u00f6rt\u00f6kt\u0151l a magyar mozikban is \u00faj \u00e9letre kelt. \u00c1m Ridley Scott enn\u00e9l jobban nem is ny\u00falhatott volna mell\u00e9 az Egyiptomb\u00f3l val\u00f3 kivonul\u00e1s t\u00e9m\u00e1j\u00e1val. A film eleje m\u00e9g nagyj\u00e1b\u00f3l rendben is lenne; minden egy politikai konfliktussal kezd\u0151dik a F\u00e1ra\u00f3, a\u00a0V\u00e9r Szerinti Fi\u00fa<\/em>\u00a0\u00e9s a\u00a0Fogadott Fi\u00fa<\/em>\u00a0k\u00f6z\u00f6tt. Az alaphelyzet er\u0151sen hajaz a\u00a0Gladi\u00e1tor<\/em>ra (Gladiator<\/em>, 2000), csup\u00e1n \u00e1rnyalatnyi k\u00fcl\u00f6nbs\u00e9gek vannak hozz\u00e1 k\u00e9pest; itt egy k\u00e9nyelem- \u00e9s hatalomszeret\u0151 talpnyal\u00f3 \u00e9lezi ki v\u00e9gs\u0151kig a konfliktust. Ezut\u00e1n k\u00f6vetkeznek a l\u00e9legzetel\u00e1ll\u00edt\u00f3 k\u00e9pek a gyilkos sivatagr\u00f3l, amelyen szeg\u00e9ny M\u00f3zes k\u00e9nytelen kereszt\u00fclv\u00e1ndorolni. S\u0151t, Midi\u00e1n f\u00f6ldj\u00e9re \u00e9rve m\u00e9g n\u00e9h\u00e1ny nagy nehezen \u00f6sszeizzadt b\u00e9k\u00e9s jelenetet is l\u00e1thatunk. Egy kis kecskelegeltet\u00e9s, egy szerelem kialakul\u00e1s\u00e1nak teljesen l\u00e1thatatlan t\u00f6rt\u00e9nete ut\u00e1ni h\u00e1zass\u00e1g, \u00e9s egy szenved\u0151sen form\u00e1lis n\u00e1sz\u00e9jszaka jelz\u00e9sszer\u0171 k\u00e9pei jelennek meg a v\u00e1sznon.<\/p>\n

\"DF-00727R<\/a>
DF-00727R – Seti (John Turturro, background) presents the future leaders of Egypt: Ramses (Joel Edgerton, left) and Moses (Christian Bale).<\/figcaption><\/figure>\n

Eddig m\u00e9g ak\u00e1r siker\u00fclhet is azonosulni M\u00f3zessel, \u00e1m a film t\u00f6bbi r\u00e9sz\u00e9t v\u00e9gign\u00e9zve m\u00e9g a legigazabb h\u00edv\u0151 is komolyan fontol\u00f3ra venn\u00e9 az ateizmust. Az od\u00e1ig rendben van, hogy az \u00d3sz\u00f6vets\u00e9g \u00e1ltal lefestett Isten igencsak zord, \u00e9s b\u00fcntet\u00e9sorient\u00e1lt, de az Exodusban sz\u00e1zszorosukra er\u0151s\u00f6dnek fel ezek a von\u00e1sok. \u00cdgy sz\u00fcletnek meg az olyan vadhajt\u00e1sok, mint\u00a0Az utols\u00f3 l\u00e9ghajl\u00edt\u00f3<\/em>ban (The Last Airbender<\/em>, 2010) szerepl\u0151 Aanghoz hasonl\u00f3, Istent megszem\u00e9lyes\u00edt\u0151 kisfi\u00fa, (mert az \u00e9g\u0151 csipkebokor \u00f6nmag\u00e1ban m\u00e1r kev\u00e9s a modern embernek), \u00e9s a hit n\u00e9lk\u00fcli, d\u00fch\u00f6ngve tombol\u00f3 cs\u00f6vess\u00e9 z\u00fcll\u00f6tt M\u00f3zes. Ez a teljesen hiteltelen karakter semmit nem teljes\u00edt az eredeti feladat\u00e1b\u00f3l, nevezetesen abb\u00f3l, hogy rem\u00e9nyt adjon a zsid\u00f3knak, \u00e9s megszabad\u00edtsa \u0151ket. Ehelyett kezdett\u0151l fogva fenyeget\u0151zik, bossz\u00fahadj\u00e1ratot folytat Ramszesz ellen \u00e9s gyakran l\u00e1zadozik az am\u00fagy egyre v\u00e9rszomjasabb\u00e1 v\u00e1l\u00f3 mini-l\u00e9ghajl\u00edt\u00f3 ellen. Aki egy ilyen vez\u00e9rt k\u00f6vet, s\u0151t az \u00e9let\u00e9t adja \u00e9rte, abb\u00f3l bizony az Egyiptom f\u00f6ldj\u00e9t perzsel\u0151 napsugarak \u00e9s a korb\u00e1cs\u00fct\u00e9sek minden csepp \u00e9let\u00f6szt\u00f6nt ki\u00f6ltek.<\/p>\n

\"Exodus:<\/a><\/p>\n

A speci\u00e1lis effektek els\u0151 oszt\u00e1ly\u00faak, \u00e9s a t\u00edz csap\u00e1s nagyon l\u00e1tv\u00e1nyos lett – \u00e9leth\u0171 gyilkos krokodilokkal, b\u00e9k\u00e1kkal, cs\u00fasz\u00f3-m\u00e1sz\u00f3kkal, m\u00e1glyak\u00e9nt l\u00e1ngol\u00f3 emberekkel – de sajnos ez \u00edgy m\u00e9g el\u00e9g sov\u00e1ny egy j\u00f3 filmhez. R\u00e1ad\u00e1sul a nagyszer\u0171 sz\u00edn\u00e9szg\u00e1rda minden tagja elpocs\u00e9kolta a tehets\u00e9g\u00e9t, mert az alak\u00edt\u00e1suk \u00e1tcsap \u0151rj\u00f6ng\u00e9sbe. Azt hittem, e tekintetben nincs lejjebb a tavasszal bemutatott No\u00e9n\u00e1l, de \u00fagy l\u00e1tszik, t\u00e9vedtem. Ridley Scott rendezett m\u00e1r j\u00f3 n\u00e9h\u00e1ny sokkal sz\u00ednvonalasabb filmet.<\/p>\n

\u00c9rt\u00e9kel\u00e9s: 40\/100<\/p>\n

IMDb: 6,5\/10<\/p>\n

Mafab: 64%<\/p>\n

***<\/p>\n

NBence:<\/em><\/p>\n

A fenti sorok olvas\u00e1sa ut\u00e1n joggal v\u00e1rhatn\u00e1 az olvas\u00f3, hogy most valami eg\u00e9szen m\u00e1s n\u00e9z\u0151pont\u00fa elemz\u00e9s k\u00f6vetkezik. Azonban duplakritika ide vagy oda, az\u00a0Exodus<\/a><\/em>\u00a0nem az a film, amely v\u00e9gletekig polariz\u00e1lni fogja a k\u00f6z\u00f6ns\u00e9get, \u00e1thidalhatatlan \u00e1rkot k\u00e9pezve rajong\u00f3k \u00e9s szkeptikusok k\u00f6z\u00f6tt \u2013 ez\u00e9rt a szerkeszt\u0151s\u00e9gen bel\u00fcl is szokatlanul nagy az \u00f6sszhang az \u00e9rt\u00e9kel\u00e9s\u00e9t illet\u0151en.\u00a0 Nincs ebben persze semmi meglep\u0151, aki l\u00e1tott m\u00e1r Ridley Scott filmet \u00e9s tiszt\u00e1ban van a bibliai t\u00e9m\u00e1j\u00fa, leg\u00fajabb hollywoodi mainstream ir\u00e1nyzattal, az nagyj\u00e1b\u00f3l el\u0151re bor\u00edt\u00e9kolhatta az Exodus fogadtat\u00e1s\u00e1t. Scott am\u00fagy sem az a t\u00edpus\u00fa rendez\u0151, aki v\u00e1ratlan h\u00faz\u00e1sokkal fogja sokkolni a n\u00e9z\u0151it, azonban m\u00e9g tal\u00e1n t\u0151le is meglep\u0151, hogy ennyire nem tudott elszakadni a kor\u00e1bbi t\u00f6rt\u00e9nelmi filmjein\u00e9l alkalmazott receptt\u0151l. Hogy ez mi\u00e9rt nem j\u00f3, amikor a\u00a0Gladi\u00e1tor<\/em>n\u00e1l m\u00e1r bev\u00e1lt? A k\u00e9rd\u00e9sre v\u00e9g n\u00e9lk\u00fcl sorolhatn\u00e1m a v\u00e1laszokat, de a legf\u0151bb baj, hogy az eg\u00e9sz v\u00e9gtelen\u00fcl \u00f6tlettelen \u00e9s kisz\u00e1m\u00edthat\u00f3. Scott r\u00e1ad\u00e1sul elk\u00f6vette ugyanazt a hib\u00e1t, amit Darren Aronofsky is a\u00a0No\u00e9<\/em>n\u00e1l (Noe<\/em>, 2014). Olyan momentumokkal akarta \u00e9rdekesebb\u00e9 tenni az un\u00e1sig ismert bibliai t\u00f6rt\u00e9netet, amellyel pont az eg\u00e9sz atmoszf\u00e9r\u00e1t tette t\u00f6nkre. Nem a t\u00f6rt\u00e9nelmietlen k\u00f6r\u00edt\u00e9sre gondolok, vagy a bibliai esem\u00e9nyek f\u00e9lremagyar\u00e1z\u00e1s\u00e1ra, hiszen ez m\u00e1r lassan senkin\u00e9l nem \u00e9ri el az ingerk\u00fcsz\u00f6b\u00f6t. Sokkal ink\u00e1bb arra, hogy ahelyett, hogy az alapt\u00f6rt\u00e9net k\u00e9t kulcsfigur\u00e1j\u00e1t \u2013 \u00e9s a c\u00edmben is felvetett vall\u00e1si vonalat \u2013 dolgozta volna jobban ki, teljesen felesleges apr\u00f3s\u00e1gokkal foglalkozott.<\/p>\n

\"Exodus:<\/a><\/p>\n

M\u00f3zes karakter\u00e9nek r\u00e9szletesebb kidolgoz\u00e1sa helyett Scott egy \u00fajabb Maximust teremtett, csak \u00e9ppen ez\u00fattal az egyiptomi hadsereg dics\u0151 t\u00e1bornok\u00e1nak k\u00e9p\u00e9ben. Az\u00a0Exodus<\/em>\u00a0M\u00f3zese azon t\u00fal, hogy rendk\u00edv\u00fcl j\u00f3l forgatja a kardot, \u00e9s pillanatok alatt k\u00e9pes b\u00e1rkit kik\u00e9pezni az irregul\u00e1ris hadvisel\u00e9sre, teljesen anakronisztikus karakter. Chritian Bale zsenialit\u00e1sa sem menti meg az \u00f6sszk\u00e9pet, hiszen egyszer\u0171en nincs rendesen meg\u00edrva az a szerep, amit j\u00e1tszania kellene. A Scott \u00e1ltal kre\u00e1lt M\u00f3zes egy teljesen \u00f6sszekeveredett massza, amelyb\u0151l nem tudnak felsz\u00ednre emelkedni konkr\u00e9t, k\u00e9zzel foghat\u00f3 tulajdons\u00e1gok \u2013 legal\u00e1bbis semmi olyan, amely alkalmass\u00e1 tenn\u00e9 \u0151t a val\u00f3s feladat\u00e1ra. Nem jobb a helyzet Ramszesz eset\u00e9ben sem! Az egyiptomi uralkod\u00f3 rendk\u00edv\u00fcl kisst\u00edl\u0171 karakter, sajnos egy percig sem k\u00e9pes m\u00e9lt\u00f3 ellenf\u00e9lk\u00e9nt felt\u0171nni. Scott nem vette a f\u00e1radts\u00e1got, hogy t\u00fall\u00e9pjen azokon az elkoptatott sablonokon, amelyekkel az \u00f3kori Egyiptomot szokt\u00e1k jellemezni. Joel Edgerton ann\u00e1l sokkal k\u00fcl\u00f6nb sz\u00edn\u00e9sz, mint amit k\u00e9pes ebben az elfuser\u00e1lt szerepben megmutatni mag\u00e1b\u00f3l; mind \u0151, mind maga Ramszesz klasszisokkal jobbat \u00e9rdemelt volna.\u00a0 A t\u00f6bbi \u2013 egy\u00e9bk\u00e9nt szint\u00e9n nagy n\u00e9vnek sz\u00e1m\u00edt\u00f3 \u2013 sz\u00edn\u00e9sz alak\u00edt\u00e1sa annyira sem k\u00e9pes hat\u00e1sa al\u00e1 vonni a n\u00e9z\u0151t, hogy felesleges ak\u00e1rcsak egy sz\u00f3t is elvesztegetni r\u00e1juk.<\/p>\n

\"exodus4\"<\/a><\/p>\n

Ett\u0151l m\u00e9g lehetne \u00e9rdekes film az Exodus, k\u00fcl\u00f6n\u00f6sen, ha a hangzatos filmc\u00edm m\u00e1sik komponens\u00e9t, az isteni oldalt siker\u00fclt volna j\u00f3l megjelen\u00edteni benne. Kezdj\u00fck a k\u00f6nnyebbik r\u00e9sz\u00e9vel, hiszen egyiptomi oldalr\u00f3l semmi komolyan vehet\u0151t nem tudtak felvonultatni a k\u00e9sz\u00edt\u0151k. Az \u00f6sszetett egyiptomi t\u00falvil\u00e1g- \u00e9s istens\u00e9g k\u00e9pr\u0151l biztosan nem ez a film lesz a k\u00f6telez\u0151 tananyag az iskol\u00e1kban. Nem r\u00f3zs\u00e1sabb a k\u00e9p a t\u00faloldalon sem; Isten gyermekalakban t\u00f6rt\u00e9n\u0151 \u00e1br\u00e1zol\u00e1sa k\u00e9t\u00e9l\u0171 fegyverr\u00e9 v\u00e1lt a k\u00e9sz\u00edt\u0151k kez\u00e9ben \u2013 \u00e9s bizony saj\u00e1t magukat v\u00e1gt\u00e1k meg vele. Isaac Andrews durc\u00e1s arckifejez\u00e9seit a magyar szinkron f\u00fcls\u00e9rt\u0151 nyafog\u00e1sa hat\u00e1sosan eg\u00e9sz\u00edti ki, teljesen hiteltelenn\u00e9 t\u00e9ve az eg\u00e9sz karaktert. Ez ut\u00f3bbir\u00f3l nyilv\u00e1n nem Scott tehet, de ez m\u00e1r t\u00e9nyleg a sokadik apr\u00f3s\u00e1g, ami tot\u00e1lisan sz\u00e9trombolja az \u00f6sszk\u00e9pet. Azt az \u00f6sszk\u00e9pet, amelyet p\u00e9ld\u00e1ul a\u00a0Prometheus<\/em>ban (2012) m\u00e9g meg tudott menteni a k\u00fcl\u00f6nleges hangulat \u00e9s az er\u0151s l\u00e1tv\u00e1nyvil\u00e1g.Hangulatot itt k\u00e1r rem\u00e9lni, minden geg, illetve klis\u00e9 olyan poros \u00e9s unalmas, mint a Memphist k\u00f6r\u00fclvev\u0151 sivatag. A l\u00e1tv\u00e1ny persze impoz\u00e1ns, ez v\u00e1rhat\u00f3 volt, mint a t\u00f6bbi, fentebb m\u00e1r r\u00e9szletezett egy\u00e9b Scott produkci\u00f3kban is. A t\u00edz csap\u00e1s megjelen\u00edt\u00e9s\u00e9t lesz\u00e1m\u00edtva azonban semmi igaz\u00e1n letagl\u00f3z\u00f3 nincs a film l\u00e1tv\u00e1nyvil\u00e1g\u00e1ban. L\u00e1tszik az elk\u00f6lt\u00f6tt 140 milli\u00f3 doll\u00e1ros b\u00fcdzs\u00e9, de kevesebb p\u00e9nzb\u0151l is hoztak m\u00e1r \u00f6ssze enn\u00e9l potensebb vizualit\u00e1st. A CGI hadseregek \u00e9s v\u00edzoszlopok m\u00e9g 3D IMAX-ben sem \u00e9rnek meg egy mozijegyet; az egyed\u00fcli \u00e9rdekess\u00e9g a h\u00e1rom dimenzi\u00f3s l\u00e1tv\u00e1nyvil\u00e1g kapcs\u00e1n, hogy ez volt Christian Bale els\u0151 3D filmje. A rossz v\u00e1g\u00e1si strukt\u00fara \u00e9s a 3D egy\u00fcttese m\u00e9g zavar\u00f3\u00a0is \u00a0a film bizonyos r\u00e9szein\u00e9l \u2013 a csatajelenetek p\u00e9ld\u00e1ul k\u00f6vethetetlenek a n\u00e9z\u0151 sz\u00e1m\u00e1ra, \u00e9s a temp\u00f3sabb r\u00e9szekn\u00e9l is ugyanez a probl\u00e9ma l\u00e9p fel.<\/p>\n

\"DF-00318<\/a><\/p>\n

\u00d6sszegz\u00e9sk\u00e9nt teh\u00e1t Scott\u00a0Exodus<\/em>a egy olyan iparos munka lett, amely monumentalit\u00e1s\u00e1val \u00e9s a bevetett elit sz\u00edn\u00e9szg\u00e1rd\u00e1j\u00e1val sem k\u00e9pes marad\u00e9ktalanul kompenz\u00e1lni azokat a hi\u00e1nyoss\u00e1gokat, amelyek j\u00f3r\u00e9szt a karakterek kidolgozatlans\u00e1g\u00e1b\u00f3l, \u00e9s a kusza t\u00f6rt\u00e9netvezet\u00e9sb\u0151l sz\u00e1rmaznak. A kivonul\u00e1s t\u00f6rt\u00e9net\u00e9t testv\u00e9rharcc\u00e1 sil\u00e1ny\u00edt\u00f3\u00a0Exodus<\/em>\u00a0f\u0151 hib\u00e1ja, hogy k\u00e9ptelen arra, hogy val\u00f3di \u00e9rzelmeket v\u00e1ltson ki a n\u00e9z\u0151b\u0151l. Furcsa ezt le\u00edrnom, de ez a film m\u00e9g csak nem is a f\u00f6ldbed\u00f6ng\u00f6lend\u0151en rossz kateg\u00f3ria, puszt\u00e1n olyannyira \u00e9rdektelen \u00e9s f\u00e9lresiklott, hogy m\u00e9g lepontoznia sincs nagyon kedve az embernek.<\/p>\n

\u00c9rt\u00e9kel\u00e9s: 61\/100<\/p>\n

IMDb: 6,5\/10<\/p>\n

Mafab: 64%<\/p>\n","protected":false},"excerpt":{"rendered":"

Hagyom\u00e1nyteremt\u0151 alrovatot ind\u00edtunk \u00fatnak: ezent\u00fal k\u00e9t szerz\u0151nk kritik\u00e1j\u00e1t is olvashatj\u00e1tok az igaz\u00e1n nagy volumen\u0171 filmek kapcs\u00e1n. Mi m\u00e1ssal<\/p>\n","protected":false},"author":7,"featured_media":2407,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,8,5,902,120,829],"tags":[501,499,500,502,349],"class_list":["post-2401","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-akcio","category-drama","category-filmkritikak","category-kaland","category-premierfilmek","category-tortenelmi","tag-christian-bale","tag-exodus-gods-and-kings","tag-exodus-istenek-es-kiralyok","tag-joel-edgerton","tag-ridley-scott"],"yoast_head":"\nExodus: Istenek \u00e9s kir\u00e1lyok - duplakritika<\/title>\n<meta name=\"description\" content=\"Az Exodus t\u00f6rt\u00e9nete cs\u00fct\u00f6rt\u00f6kt\u0151l a magyar mozikban is \u00faj \u00e9letre kelt. \u00c1m Ridley Scott enn\u00e9l jobban nem is ny\u00falhatott volna mell\u00e9 a kivonul\u00e1s t\u00e9m\u00e1j\u00e1val.\" \/>\n<meta name=\"robots\" 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