{"id":29288,"date":"2018-01-29T17:51:00","date_gmt":"2018-01-29T16:51:00","guid":{"rendered":"http:\/\/cornandsoda.com\/?p=29288"},"modified":"2018-01-29T17:51:00","modified_gmt":"2018-01-29T16:51:00","slug":"harom-oriasplakat-ebbing-hataraban-kritika","status":"publish","type":"post","link":"https:\/\/cornandsoda.com\/wp\/harom-oriasplakat-ebbing-hataraban-kritika\/","title":{"rendered":"H\u00e1rom \u00f3ri\u00e1splak\u00e1t Ebbing hat\u00e1r\u00e1ban (Three billboards outside Ebbing, Missouri, 2017) – kritika"},"content":{"rendered":"
\"h\u00e1rom<\/a>
Forr\u00e1s: Artsatmichigan.edu<\/figcaption><\/figure>\n

Nem kevesebb, mint h\u00e9t Oscar-d\u00edjra jel\u00f6lt\u00e9k Martin McDonagh leg\u00fajabb filmj\u00e9t. A H\u00e1rom \u00f3ri\u00e1splak\u00e1t Ebbing hat\u00e1r\u00e1ban<\/i> (Three billboards outside Ebbing, Missouri, 2017)<\/i><\/a> igazi bor\u00fas, kellemetlen\u00fcl \u0151szinte dr\u00e1ma. Pontosan az, amit kedvenc \u00edr-angol szerz\u0151nkt\u0151l megszokhattunk.<\/p>\n

\"\"<\/a>
Forr\u00e1s: Theatlantic.com<\/figcaption><\/figure>\n

A film t\u00f6rt\u00e9nete val\u00f3ban h\u00e1rom \u00f3ri\u00e1splak\u00e1ttal indul, amelyek gy\u00f6keresen felforgatj\u00e1k a kisv\u00e1ros \u00e9let\u00e9t. H\u00e9t h\u00f3nappal l\u00e1ny\u00e1nak meger\u0151szakol\u00e1sa \u00e9s meggyilkol\u00e1sa ut\u00e1n Mildred Hayes m\u00e9g mindig nem kapott v\u00e1laszt a helyi rend\u0151rs\u00e9gt\u0151l, hogy ki volt a tettes. A n\u0151 ez\u00e9rt \u00fagy d\u00f6nt, egy \u00e9vre kib\u00e9reli a hat\u00e1r sz\u00e9l\u00e9n \u00e1ll\u00f3, \u00e9vtizedek \u00f3ta haszn\u00e1latlan \u00f3ri\u00e1splak\u00e1tokat, hogy provokat\u00edv \u00fczenetet helyezzen el rajtuk. A c\u00edmzett a helyi rend\u0151rs\u00e9g, k\u00fcl\u00f6n\u00f6sk\u00e9ppen William Willoughby rend\u0151rf\u0151n\u00f6k. Az \u00fcgy \u00edgy ism\u00e9t nagy figyelmet kap, a probl\u00e9ma csak az, hogy nem mindenki n\u00e9zi j\u00f3 szemmel Mildred mag\u00e1nakci\u00f3j\u00e1t.<\/p>\n

\"\"<\/a>
Forr\u00e1s: News.Sky.com<\/figcaption><\/figure>\n

El\u0151sz\u00f6r fussuk le a k\u00f6telez\u0151 k\u00f6r\u00f6ket, mivel Martin McDonagh dr\u00e1ma\u00edr\u00f3i kvalit\u00e1saival m\u00e1r nagyj\u00e1b\u00f3l mindenki tiszt\u00e1ban van e f\u00f6ld\u00f6n. Az Er\u0151szakik (In Bruges, 2008)<\/a><\/i> vagy \u00e9pp a Leenane sz\u00e9pe <\/i><\/a>\u00edr\u00f3ja ism\u00e9t bizony\u00edtotta tehets\u00e9g\u00e9t. Eg\u00e9szen elk\u00e9peszt\u0151 az a min\u0151s\u00e9g, ahogy kibontakoztatja a bonyodalmakat, ahogy karaktereit felfesti, s ahogy t\u00e1lalja az esem\u00e9nyeket. Rendk\u00edv\u00fcl j\u00f3 szeme van ahhoz, hogy mit mutasson meg, mit tartson rejtve, \u00e9s hogyan alak\u00edtsa \u00fagy a cselekm\u00e9nyt, hogy egy pillanatra se vezesse f\u00e9lre a n\u00e9z\u0151ket. Ugyanakkor a t\u00f6rt\u00e9netben v\u00e9gig pulz\u00e1l a p\u00e1tosztalan fesz\u00fclts\u00e9g: jeleneteinek olyan keserny\u00e9s \u00edze van, hogy azt csak keser\u0171 humorral lehet n\u00e9melyest elfogadtatni. A karakterek pazarok, ahogy mindig. A t\u00f6rt\u00e9net elej\u00e9n McDonagh egys\u00edk\u00faan, k\u00f6nnyen kiismerhet\u0151en, m\u00e1r-m\u00e1r a klis\u00e9filmek karik\u00edrozott alakjaik\u00e9nt v\u00e1zolja fel \u0151ket, hogy azt\u00e1n a k\u00e9s\u0151bbiekben \u00a0\u00fajabb \u00e9s \u00fajabb r\u00e9tegeket h\u00e1ntson le r\u00f3luk, felvillantva az emberi jellem komplexit\u00e1s\u00e1t. Sz\u00f3 szerint csak \u00fagy facsarja ki karaktereib\u0151l az \u00e9rzelmeket \u00e9s a v\u00e1ltoztat\u00e1s k\u00e9nyszer\u00e9t.<\/p>\n

\"\"<\/a>
Forr\u00e1s: Twitter.com<\/figcaption><\/figure>\n

Ilyen komoly szerz\u0151i koncepci\u00f3hoz persze nem ak\u00e1rmilyen szerepl\u0151g\u00e1rda duk\u00e1l \u2013 \u00e9s McDonagh meg is v\u00e1logatta, kiket szerepeltessen filmj\u00e9ben. A t\u00f6rt\u00e9net mindh\u00e1rom f\u0151szerepl\u0151j\u00e9t jel\u00f6lt\u00e9k Oscar-d\u00edjra. Frances McDormandet a legjobb n\u0151i f\u0151szerepl\u0151 d\u00edj\u00e1ra tal\u00e1lt\u00e1k \u00e9rdemesnek, alak\u00edt\u00e1sa ugyanis olyan m\u00e9lys\u00e9geiben ny\u00fajt betekint\u00e9st az emberi d\u00fch \u00e9s csal\u00f3dotts\u00e1g \u00e1llapot\u00e1ba, ahogy azt kor\u00e1bban alig lehetett elk\u00e9pzelni. Woody Harrelson \u00e9s Sam Rockwell a legjobb f\u00e9rfi mell\u00e9kszerepl\u0151 kateg\u00f3ri\u00e1ban indulnak, s noha mindketten nagyon hat\u00e1sosat alak\u00edtanak, Sam Rockwell karakter\u00e9nek \u00f6sszetetts\u00e9ge, \u00e1talakul\u00e1sa sokkal nagyobb teljes\u00edtm\u00e9nyt ig\u00e9nyel, mint Woody Harrelson\u00e9, aki kis t\u00falz\u00e1ssal a True Detective<\/i> Marty Hartj\u00e1t j\u00e1tssza el \u00fajra, kevesebb agresszi\u00f3val.<\/span><\/span><\/p>\n

\"\"<\/a>
Forr\u00e1s: Ramblingfilm.com<\/figcaption><\/figure>\n

De l\u00e9pj\u00fcnk akkor t\u00fal a form\u00e1n, hiszen a m\u0171 bens\u0151, implicit tartalma az, amit\u0151l igaz\u00e1n hat\u00e1ssal van r\u00e1nk ez a mozi. Aki \u00fagy \u00e1ll hozz\u00e1 a t\u00f6rt\u00e9nethez, hogy nem tudja, mire sz\u00e1m\u00edtson, az az epil\u00f3gust k\u00f6vet\u0151en m\u00e9g egy izgalmas, nyomoz\u00f3s thrillerre is sz\u00e1m\u00edthat. Csakhogy Martin McDonagh nem szereti izgalmasabbnak mutatni az \u00e9letet ann\u00e1l, mint amilyen. A m\u0171 els\u0151sorban nem egy hal\u00e1leset feldolgoz\u00e1s\u00e1r\u00f3l, a nyomoz\u00e1sr\u00f3l sz\u00f3l \u2013 ez csak a kiv\u00e1lt\u00f3 oka a filmnek. Mildred Hayes trag\u00e9di\u00e1ja emberi sorsok, d\u00f6nt\u00e9sek bemutat\u00e1s\u00e1ra alkalmas. Ehhez pedig nincs is megfelel\u0151bb, mint az \u00edr\u00f3 \u00e1ltal oly kedvelt kisv\u00e1rosi l\u00e9gk\u00f6r. Min\u00e9l kisebb a t\u00e9r, ann\u00e1l zs\u00fafoltabb, \u00e9s m\u00e1sok \u00e9rt\u00e9k\u00edt\u00e9letei, cselekedetei ann\u00e1l nagyobb szerepet j\u00e1tszanak a meghozott d\u00f6nt\u00e9sekben \u2013 minden egyes tett kihat a k\u00f6z\u00f6ss\u00e9g eg\u00e9sz\u00e9re. Ez teszi lehet\u0151v\u00e9, hogy a k\u00f6vetkezm\u00e9nyek alak\u00edts\u00e1k a t\u00f6rt\u00e9netet eg\u00e9sz\u00e9t, hogy minden apr\u00f3 hiba visszahasson. Ebben az alkot\u00e1sban pontosan ez is t\u00f6rt\u00e9nik. A film ugyanis k\u00e9t f\u0151 \u00fczenettel dolgozik; pontosabban egy \u00fczenettel, amelyre v\u00e1laszk\u00e9nt \u00e9rkezik n\u00e9mi felold\u00e1s a t\u00f6rt\u00e9net legeslegv\u00e9g\u00e9n, amely szint\u00e9n \u00e9rt\u00e9kelhet\u0151 \u00fagy, mint levonhat\u00f3 tanuls\u00e1g. Alapvet\u0151en a szerz\u0151 azt az agyonhajszolt, r\u00e9gi-r\u00e9gi \u00e1ll\u00edt\u00e1st k\u00f6zvet\u00edti egy cselekm\u00e9nyf\u00fcz\u00e9rben, hogy a rossz rosszat sz\u00fcl. S ezt sz\u00e1mtalanszor a szerepl\u0151inek sz\u00e1j\u00e1ba is adja, akikt\u0151l, mindennem\u0171 b\u00f6lcsess\u00e9gt\u0151l mentes von\u00e1saik v\u00e9gett, m\u00e9g \u00e9rv\u00e9nytelenebb\u00fcl hat ez a panell\u00f3zung. Csakhogy mit tegyen az ember, ha azzal szembes\u00fcl, hogy a rosszb\u00f3l t\u00e9nyleg semmi j\u00f3 nem sz\u00fcletik? Ha m\u00e9g a j\u00f3 sz\u00e1nd\u00e9k sem elegend\u0151 ahhoz, hogy kiszakadjon a d\u00e9moni k\u00f6rforg\u00e1sb\u00f3l? Martin McDonagh azt mondja, hogy eg\u00e9szen addig, am\u00edg a \u201erossz rosszat sz\u00fcl\u201d alapon nyugv\u00f3 esem\u00e9nyl\u00e1ncolaton bel\u00fcl pr\u00f3b\u00e1lunk igazs\u00e1got szolg\u00e1ltatni, megnyugv\u00e1sra lelni, csakis ennek a torz, emberi gyenges\u00e9gekb\u0151l t\u00e1pl\u00e1lkoz\u00f3 mechanizmusnak a fennmarad\u00e1s\u00e1t szolg\u00e1lhatjuk. Aligha hiszem, hogy gondolata \u00e9rv\u00e9nytelen, azonban a t\u00f6rt\u00e9net befejez\u00e9se fenntartja a jogot arra, hogy szerepl\u0151i ne l\u00e9pjenek ki ebb\u0151l a folyamatb\u00f3l. Ahogy a szerz\u0151n\u00e9l oly sokszor, a f\u0151szerepl\u0151k e film v\u00e9g\u00e9n is, mik\u00f6zben a tanuls\u00e1g \u00e1tad\u00e1s\u00e1val elengedik a n\u00e9z\u0151k kez\u00e9t, bizonytalan m\u00e9lys\u00e9gekbe indulnak, s a mi lelkiismeret\u00fcnk\u00f6n m\u00falik, hogy megengedj\u00fck-e nekik a v\u00e9gs\u0151 feloldoz\u00e1st.<\/p>\n

\"\"<\/a>
Forr\u00e1s: Vox.com<\/figcaption><\/figure>\n

Ez a t\u00f6rt\u00e9net mell\u00e9kszerepl\u0151in kereszt\u00fcl is rengeteg fontos k\u00e9rd\u00e9st t\u00e1rgyal: olyanokat, amelyeket \u00e9rdemes volna szint\u00e9n megvizsg\u00e1lni, hosszabb \u00e9s j\u00f3val m\u00e9lyebb elemz\u00e9sekkel felt\u00e1rni. De megeml\u00edthetn\u00e9nk ak\u00e1r azt az igencsak, tal\u00e1n nem is sz\u00e1nd\u00e9koltan, aktu\u00e1lis fricsk\u00e1t is, hogy a k\u00f6z\u00f6ss\u00e9gben n\u00e9h\u00e1ny provokat\u00edv mondat h\u00e1rom hirdet\u0151t\u00e1bl\u00e1n er\u0151sebb hat\u00e1st v\u00e1lt ki, mint maga az er\u0151szak-gyilkoss\u00e1g t\u00e9nye. Tal\u00e1n a hirdet\u0151t\u00e1bl\u00e1k nem felt\u00e9tlen\u00fcl a provok\u00e1ci\u00f3 szimb\u00f3lumai, sokkal ink\u00e1bb az emberi k\u00f6z\u00f6ny, a felejt\u00e9s \u00f6nk\u00e9ntelen gesztus\u00e1nak indik\u00e1torai. Egydimenzi\u00f3san \u00e9lj\u00fck napjainkat, s hogyha nem v\u00e1g arcon minket nap, nap ut\u00e1n egy hatalmas felirat, hogy eml\u00e9keztessen egy gyal\u00e1zatos normas\u00e9rt\u00e9sre, \u00e9rintetlens\u00e9g\u00fcnk r\u00e9v\u00e9n k\u00f6nnyed\u00e9n kiz\u00e1rjuk azt az \u00e9let\u00fcnkb\u0151l. A plak\u00e1tok kihelyez\u00e9se az els\u0151 k\u00f6vetkezm\u00e9ny, az els\u0151sz\u00fcl\u00f6tt rossz Myldred Hayes trag\u00e9di\u00e1j\u00e1b\u00f3l. Hogy ezt ki hogyan \u00e9rt\u00e9keli mag\u00e1ban, az m\u00e1r a befogad\u00f3 szubjektum\u00e1nak f\u00fcggv\u00e9nye. Mindenesetre meg\u00e9ri id\u0151t sz\u00e1nni r\u00e1 \u00e9s elmerengeni a k\u00e9rd\u00e9sen.<\/p>\n

\"\"<\/a>
Forr\u00e1s: Vox.com<\/figcaption><\/figure>\n

Sz\u00f3val Martin McDonagh teljes joggal lehet b\u00fcszke leg\u00fajabb nagyj\u00e1t\u00e9kfilmj\u00e9re, valamint a remek fogadtat\u00e1sra \u2013 val\u00f3ban meg\u00e9rdemelt a filmes \u00e9let elismer\u0151 b\u00f3lint\u00e1sa. Az amerikai filmiparon bel\u00fcl egy eg\u00e9szen \u00faj \u00e9s saj\u00e1tos vil\u00e1got teremt, olyat, amelyet nem \u00e1rt a hollywoodi sz\u00ednpomp\u00e1b\u00f3l kil\u00e9pve is megtapasztalni. Nehogy azt\u00e1n a val\u00f3s\u00e1g orrba v\u00e1gjon minket.<\/p>\n

\u00c9rt\u00e9kel\u00e9s: 81\/100<\/p>\n

IMDb: 8.3\/10<\/p>\n

Mafab: 98%<\/p>\n

\n
\n
<\/div>\n

<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Nem kevesebb, mint h\u00e9t Oscar-d\u00edjra jel\u00f6lt\u00e9k Martin McDonagh leg\u00fajabb filmj\u00e9t. A H\u00e1rom \u00f3ri\u00e1splak\u00e1t Ebbing hat\u00e1r\u00e1ban (Three billboards outside<\/p>\n","protected":false},"author":2880,"featured_media":29290,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8,5,7521],"tags":[9491,9490,4313,9492,1355,8935,257],"class_list":["post-29288","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-drama","category-filmkritikak","category-mozgokep","tag-frances-mcdormand","tag-harom-oriasplakat-ebbing-hataraban","tag-martin-mcdonagh","tag-oscar-2018","tag-sam-rockwell","tag-three-billboards-outside-ebbing","tag-woody-harrelson"],"yoast_head":"\nH\u00e1rom \u00f3ri\u00e1splak\u00e1t Ebbing hat\u00e1r\u00e1ban (Three billboards outside Ebbing, Missouri, 2017) - kritika - Corn & Soda<\/title>\n<meta name=\"description\" content=\"Az Akad\u00e9mia nagy kedvence lett Martin McDonagh leg\u00fajabb, H\u00e1rom \u00f3ri\u00e1splak\u00e1t Ebbing hat\u00e1r\u00e1ban c\u00edm\u0171 filmje. 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